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| | | 片名: | Baran | | 台灣譯名: | 天堂摯愛 | | 香港譯名: | | | 大陸譯名: | 巴倫 | | 導 演: | Majid Majidi | | 類 型: | Drama, Foreign | | 出 品: | Miramax | | 發行時間: | 2002 | | 宣 傳 語: | | | 主 演: | Hossein Abedini
Mohammad Reza Naji
Zahra Bahrami
Hossein Rahimi
Gholam Ali Bakhshi | |
 內 容 簡 介 | | From Iranian director Majid Majidi (CHILDREN OF HEAVEN), BARAN is the story of Lateef, a 17-year-old boy who lives in Teheran and works in the kitchen on a construction site. Hotheaded and always ready for a fight, Lateef resents his boss Memar for holding his wages to send to his father at the end of the year. When Rahmat, a young Afghan boy, replaces Lateef, Lateef's new job is lugging heavy bags of cement up the stairs. Hungry for revenge, Lateef sets out to make Rahmat's life miserable. One day, while spying on Rahmat, Lateef realizes that the boy is actually a girl hiding her gender so she can work to support her family. Lateef falls in love and decides to help her with what little money he has. In the process, he blossoms and changes from a sullen teenager into a generous young man.BARAN is a wonderfully romantic tale about sacrifice and devotion. But underneath this simplistic fable is a political film about 1.5 million Afghani refugees suffering in Iran, and Majidi shows a remarkable talent in making BARAN seem like a romantic love story. BARAN belongs with the best Neorealist films as an example of filmmaking that stares boldly at the pertinacity of the human spirit. |
| | 評 論 | POSITIVE
the latest in a flowering of good films from Iran ... (ChicagoSun-Times)
uses beautiful tableaux and convincingly raw actors to build to a climax of shatteringly understated poignancy and power(Chicago Tribune)
a poignant story of humanity and love that anyone can understand(E! Online)
quietly lyrical (L.A. Weekly)
blends warmth and humor ... (Los Angeles Times)
far more impressive and affecting piece of filmmaking and storytelling than most movies put out by Hollywood this year ... (New York Post)
a lyrical and celebratory vision (New York Times)
shows us a slice of life that's very different from our own and yet instantly recognizable(Salon)
may test one's patience, but a Majidi film has never felt so apt with its clear-cut "bomb them with butter" message (Slant Magazine)
Even without its topicality, Baran would be a natural audience-pleaser (USA Today)
NEGATIVE
Though made with a compassionate eye and undeniable skill, [it's] still a disappointment (The Onion's A.V. Club) |
| | 摘 抄 本 | 出生在伊朗的年輕一代的阿富汗難民，故鄉對於他們僅僅是一個陌生而遙遠的名字。他們在貧窮中掙扎，大多數只能在貧窮中掙扎，大多數只能為低廉的工資從事最艱苦的工作——如建築業。這部影片就發生在德黑蘭北部的一座建築工地。工頭雇佣的阿富汗工人納賈夫摔斷了腿，工頭同意他的大兒子來接替，這個瘦弱的青年挑起了重擔。但不久，工頭梅馬就發現他不適合干扛水泥的體力活， 於是便讓他代替自己的姪子拉提夫負責工隊的膳食。拉提夫嫉妒他的好運，不斷干涉阻撓他的工作，直到發現原來他是一個本名叫巴倫的女孩。為了得到工作養活全家，不得不女扮男裝。這令拉提夫看到了生活的另外一面——永無邊界的貧困／苦難於掙扎。他開始喜歡這個堅強的女孩，傾盡全力幫助她一家。在他把自己多年的薪水托人以工傷補償的名義送給納賈夫，受托人反而攜款逃跑後，他賣了自己的伊朗身份證，並努力工作積攢了一筆錢，把這些交給了納賈夫。納賈夫帶著一家人離開伊朗，開始了千里迢迢的返鄉之旅。拉提趕去送行，他明白自己與巴倫之間有一條難以跨越的界線。在那離別的一刻，巴倫抬起頭，緩緩地摘下了面紗……
(source: http://www.mediachina.net) |
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